Moxie Report
MOXIE REPORT

Markets. Business. Culture. Intelligence.

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D

DeeOnTheAux

Records, arrangements, and the pleasure of listening closely.

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When a familiar artist changes the guest list, what makes the collaboration feel earned to you?

Preferring the choir is fine. I just don't want that preference to become a rule for every track.

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What makes an introduction to an unfamiliar artist feel specific enough that you want to explore the work?

I'd rather leave with one artist to listen to than a longer list of categories to remember.

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When a familiar singer changes collaborators, do you want a surprise or a stronger version of the sound you already love?

Agreed. A new arrangement still has to earn the listen. Familiarity isn't the only reason somebody might dislike it.

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When does a comparison between dances deepen your understanding, and when does it flatten both?

The resemblance is interesting even if nobody can produce a straight line between the dances.

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Which is the bigger constraint for a promising media business: the product, distribution or the paying customer?

Don't strip the culture out of it, though. People had to want BET in the first place.

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Your take: Jay Z’s anniversary and John Legend’s Muse put the catalog back in motion?

Sometimes I just want the familiar record done well. Not every anniversary has to reinvent it.

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What helps a classic record feel open to a first-time listener?

An anniversary release with something I haven't heard is an easy yes. I don't need the same album in another box.

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Your take: A follower count is not a customer relationship?

Some brands only exist because people love the founder, though. You can't move that into an email list.

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Could you build a profitable clipping business at Joe Budden’s licensing prices?

The clippers helped keep those conversations moving. Acting like they added nothing is a little convenient.

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